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Telephone: 020 7629 0651

WhatsApp: +44 (0)7824 196039

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Antique & Period Jewellery

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A Victorian Gold Pearl And Enamel Swag Necklace
A Victorian Century Gold, Diamond And Citrine Cameo Bracelet
A Victorian Gold Bee Brooch
A Victorian Archaeological Revival Gold Necklace
A 19th Century Archaeological Revival Gold Necklace
A Pair Of Victorian Etruscan Revival Gold Drop Earrings
A Pair Of Yellow Gold Shell Cufflinks
A Pair Of Victorian Gold Drop Earrings
A Pair Of Yellow Gold Half-hoop Earrings
An Etruscan Revival Yellow Gold Bangle
An Etruscan Revival Yellow Gold Bangle
A Pair Of Etruscan Revival Gold Drop Earrings
A Large Archaeological Revival Gold Bangle
A Pair Of Victorian Archaeological Revival Drop Earrings
A Pair Of 19th Century Gold Amphora Earrings
A Gold Etruscan Revival Suite With Ram’s Head Decorations
A Late Georgian Gold Aquamarine, Topaz And Turquoise Suite
A Castellani Gold Stick-pin
An Antique Russian Gold And Emerald Butterfly Brooch
An Early Victorian Gold Turquoise Floral Suite
A Pair Of Victorian Yellow Gold Earrings
A Gold Pheasant Brooch
A Pair Of Victorian Etruscan Revival Gold Drop Earrings
A Rose Gold Wide Flexible Cuff Bracelet
A Regency Gold Heart Locket Pendant
A Pair Of Late Nineteenth Century Gold Drop Earrings
An Early 20th Century Yellow Gold Serpent Ring
An Anglo-indian Yellow Gold Demi-parure
A Pair Of Victorian Yellow Gold Drop Earrings
A Victorian Double Serpent Yellow Gold Brooch
A Pair Of Square Gold Cufflinks
An Egyptian Revival Masonic Gold Stick Pin
A Pair Of Victorian Gold Drop Earrings
A Second Empire Yellow Gold And Diamond Serpent Brooch
A Gold Link Bracelet
A Victorian Turquoise And Gold Serpent Chain Necklace
A Pair Of Victorian Half Pearl Gold Bracelets
A Victorian Wide Gold Bracelet With Woven Design
A Castellani Bulla Pendant
A Long Georgian Gold Regard Chain

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Wednesday style inspiration: Dresses by Charles Ja

Wednesday style inspiration: Dresses by Charles James, Cecil Beaton, Vogue, 1948.

An Art Deco diamond and sapphire ring, the old bri

An Art Deco diamond and sapphire ring, the old brilliant-cut diamond weighing approximately 0.8 carats and the cushion-cut sapphire estimated to weigh 0.9 carats, claw-set vertically to a platinum mount between baguette diamond-set shoulders, circa 1920.

A dazzling Art Deco ring. This ring, made in around 1920, exemplifies Art Deco sophistication and simplicity. This ring features a vivid and gorgeous sapphire and a dazzlingly bright diamond stacked on each other with further baguette-cut diamonds flanking the central stones. This style of ring is called “moi et toi” or “me and you”, symbolising two souls becoming one. It would make a perfect and unique engagement ring.

Sunday style inspiration: Horst P. Horst Dress by

Sunday style inspiration: Horst P. Horst
Dress by Jean Desses, 1952

A late Victorian sapphire, emerald and diamond cro

A late Victorian sapphire, emerald and diamond cross-over ring, circa 1900.

A lovely turn of the century ring. This piece features a sapphire cluster and an emerald cluster crossing over each other. The sapphire and emerald wonderfully complement each other and are surrounded by glinting diamonds that carry over from the clusters to the band of the ring. The split ring style is delicate and stylish, making this a feminine and pretty piece.

Friday Inspiration: Vera Lynn. Dame Vera Margaret

Friday Inspiration: Vera Lynn.

Dame Vera Margaret Lynn CH DBE OStJ (née Welch; 20 March 1917 – 18 June 2020) was an English singer, songwriter and entertainer whose musical recordings and performances were very popular during the Second World War. She was widely referred to as the "Forces' Sweetheart" and gave outdoor concerts for the troops in Egypt, India and Burma during the war as part of Entertainments National Service Association.

An emerald and diamond three stone ring, circa 195

An emerald and diamond three stone ring, circa 1950.

A stunning emerald and diamond ring. The main feature of this ring is an impressive and magnificent deep green emerald. The emerald is surrounded on either side by two modern Peruzzi-cut diamonds, a style of diamond cutting that was briefly popular in the late 17th century. The three stones are set to bright platinum. This piece would make a beautiful engagement ring.

Peruzzi-cut diamond: The first brilliant cuts were introduced in the middle of the 17th century, known as Mazarins, they had 17 facets on the crown (upper half). In 1681 Vincent Peruzzi, a Venetian polisher, increased the number of crown facets from 17 to 33 (known as triple-cut or Peruzzi brilliants), significantly increasing the fire and brilliance of the cut gem. Because the practice of bruting had not yet been developed, these early brilliants were all rounded squares or rectangles in cross-section (rather than circular). The cushion-cut diamonds known to us today as Old Mine Cuts were introduced in the early 18th Century.

Wednesday style inspiration courtesy of @scala.reg

Wednesday style inspiration courtesy of @scala.regia Nancy Berg wearing Leslie Morris. Horst P. Horst, 1953. #art #photography #fashion #nancyberg #lesliemorris #horstphorst

A Belle Epoque Natural Pearl And Diamond Navette-s

A Belle Epoque Natural Pearl And Diamond Navette-shaped Ring. Circa 1900.

A stunning Belle Epoque ring. Edwardian jewellery is characterized by the use of openwork platinum set with diamonds and pearls, and this ring exemplifies that style. The delicate openwork navette plaque glitters with lovely old-cut diamonds, and the central natural pearl glimmers with subtle luminosity. Navette rings are incredibly flattering on the finger: their pointed oval shape has an elongating effect when worn. This is a gorgeous, romantic piece.

Monday style inspiration: Lillian Bassman, 1950. C

Monday style inspiration: Lillian Bassman, 1950. Courtesy of @mvintage1967

A Turn Of The Century Pearl And Diamond Tablet Rin

A Turn Of The Century Pearl And Diamond Tablet Ring, circa 1900.

A beautiful early twentieth century pearl and diamond ring. This ring features a lovely openwork platinum plaque set throughout with lively diamonds. Set into the plaque are three pearls, each with a different luminous hue. The top pearl is a gentle shade of lilac, the middle a creamy white, and the bottom a slightly deeper purple. Together, the three pearls combine beautifully and are well complemented by the twinkling diamonds that surround them.

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