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Brooches

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A Single Diamond-set Bar Brooch
An Antique Russian Gold And Emerald Butterfly Brooch
An Antique Russian Emerald And Diamond Dragonfly Brooch
An Austro-hungarian Plique-a-jour Butterfly Brooch
A Sapphire, Diamond And Enamel Car Brooch
A Late 19th Century French Enamel And Diamond Brooch
A French Fin De Siècle Enamel And Diamond Peacock Fan Pin
A Late Victorian Natural Pearl And Diamond Brooch/pendant
A Gold Pheasant Brooch
A Victorian Turtle Scatter Pin Brooch
A Victorian Pearl And Diamond Clover Brooch
A Victorian Circular Blue Enamel, Pearl And Gold Brooch
A Late-Victorian Diamond And Enamel Jockey Brooch
A Victorian Diamond Double Serpent Brooch
A Late Victorian Multi-colour Gem Clover Brooch
A Georgian Beryl And Diamond Cross Brooch
A Pair Of Pearl And Diamond Bee Brooches
A Victorian Diamond Serpent Brooch
An Early Victorian Jasmine Petal Diamond Brooch
A Late 19th Century Fly Brooch
A Victorian Diamond Set Heart Pendant/brooch
A Victorian Natural Pearl And Diamond Horseshoe Brooch
A Late Victorian Diamond Set Butterfly Brooch
A Victorian Ruby, Diamond And Pearl Heart Brooch
A Late Victorian Multi-gem Butterfly Brooch
An Edwardian Amethyst And Pearl Dragonfly Brooch
A Magnificent Art-deco Ruby And Diamond Double-clip Brooch
A Victorian Double Serpent Yellow Gold Brooch
A Vintage Gold Mounted Grasshopper Brooch
A Victorian Enamel And Diamond-set Duck Brooch
An Edwardian Pearl And Diamond Brooch/pendant
Pâte De Verre And Diamond Grapes Brooch By Fonsèque Et Olive
A Vintage Aquamarine And Diamond Flower Head Brooch
A Victorian Diamond-set Star Brooch
A Turn Of The 20th Century Natural Pearl And Diamond Brooch
A Second Empire Yellow Gold And Diamond Serpent Brooch
An Angel Skin Brooch After Julien Duval
A Georgian Multi-colour Gem-set Brooch
A Victorian Emerald And Diamond Fly Scatter-pin Brooch
An Early Victorian Topaz Set Cross Brooch

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Wednesday style inspiration: Dresses by Charles Ja

Wednesday style inspiration: Dresses by Charles James, Cecil Beaton, Vogue, 1948.

An Art Deco diamond and sapphire ring, the old bri

An Art Deco diamond and sapphire ring, the old brilliant-cut diamond weighing approximately 0.8 carats and the cushion-cut sapphire estimated to weigh 0.9 carats, claw-set vertically to a platinum mount between baguette diamond-set shoulders, circa 1920.

A dazzling Art Deco ring. This ring, made in around 1920, exemplifies Art Deco sophistication and simplicity. This ring features a vivid and gorgeous sapphire and a dazzlingly bright diamond stacked on each other with further baguette-cut diamonds flanking the central stones. This style of ring is called “moi et toi” or “me and you”, symbolising two souls becoming one. It would make a perfect and unique engagement ring.

Sunday style inspiration: Horst P. Horst Dress by

Sunday style inspiration: Horst P. Horst
Dress by Jean Desses, 1952

A late Victorian sapphire, emerald and diamond cro

A late Victorian sapphire, emerald and diamond cross-over ring, circa 1900.

A lovely turn of the century ring. This piece features a sapphire cluster and an emerald cluster crossing over each other. The sapphire and emerald wonderfully complement each other and are surrounded by glinting diamonds that carry over from the clusters to the band of the ring. The split ring style is delicate and stylish, making this a feminine and pretty piece.

Friday Inspiration: Vera Lynn. Dame Vera Margaret

Friday Inspiration: Vera Lynn.

Dame Vera Margaret Lynn CH DBE OStJ (née Welch; 20 March 1917 – 18 June 2020) was an English singer, songwriter and entertainer whose musical recordings and performances were very popular during the Second World War. She was widely referred to as the "Forces' Sweetheart" and gave outdoor concerts for the troops in Egypt, India and Burma during the war as part of Entertainments National Service Association.

An emerald and diamond three stone ring, circa 195

An emerald and diamond three stone ring, circa 1950.

A stunning emerald and diamond ring. The main feature of this ring is an impressive and magnificent deep green emerald. The emerald is surrounded on either side by two modern Peruzzi-cut diamonds, a style of diamond cutting that was briefly popular in the late 17th century. The three stones are set to bright platinum. This piece would make a beautiful engagement ring.

Peruzzi-cut diamond: The first brilliant cuts were introduced in the middle of the 17th century, known as Mazarins, they had 17 facets on the crown (upper half). In 1681 Vincent Peruzzi, a Venetian polisher, increased the number of crown facets from 17 to 33 (known as triple-cut or Peruzzi brilliants), significantly increasing the fire and brilliance of the cut gem. Because the practice of bruting had not yet been developed, these early brilliants were all rounded squares or rectangles in cross-section (rather than circular). The cushion-cut diamonds known to us today as Old Mine Cuts were introduced in the early 18th Century.

Wednesday style inspiration courtesy of @scala.reg

Wednesday style inspiration courtesy of @scala.regia Nancy Berg wearing Leslie Morris. Horst P. Horst, 1953. #art #photography #fashion #nancyberg #lesliemorris #horstphorst

A Belle Epoque Natural Pearl And Diamond Navette-s

A Belle Epoque Natural Pearl And Diamond Navette-shaped Ring. Circa 1900.

A stunning Belle Epoque ring. Edwardian jewellery is characterized by the use of openwork platinum set with diamonds and pearls, and this ring exemplifies that style. The delicate openwork navette plaque glitters with lovely old-cut diamonds, and the central natural pearl glimmers with subtle luminosity. Navette rings are incredibly flattering on the finger: their pointed oval shape has an elongating effect when worn. This is a gorgeous, romantic piece.

Monday style inspiration: Lillian Bassman, 1950. C

Monday style inspiration: Lillian Bassman, 1950. Courtesy of @mvintage1967

A Turn Of The Century Pearl And Diamond Tablet Rin

A Turn Of The Century Pearl And Diamond Tablet Ring, circa 1900.

A beautiful early twentieth century pearl and diamond ring. This ring features a lovely openwork platinum plaque set throughout with lively diamonds. Set into the plaque are three pearls, each with a different luminous hue. The top pearl is a gentle shade of lilac, the middle a creamy white, and the bottom a slightly deeper purple. Together, the three pearls combine beautifully and are well complemented by the twinkling diamonds that surround them.

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